Transhuman series
The Transhuman Tronies of the Latter Days is a thought-provoking series that encourages us to contemplate the future of humanity and the role of technology in shaping our identity. In a world where machines are becoming increasingly sophisticated and ubiquitous, it is important to consider what it means to be human. The work challenges viewers to think about the blurred lines between man and machine, and to consider the potential consequences of human's increasing reliance on technology.
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POSITIVE / NEGATIVE — In the Transhuman Series, I invite you to delve into a captivating exploration of the complex interplay between positive and negative images. Just as in traditional photography, each photographed image within this series represents a duality, embodying both a negative and a positive aspect.
1. THE NEW WORLD ORDER PROPHET
The Prophet of the New World Order. (Sergio Cesario's Transhuman Series #1)
The Prophet of the New World Order. (Sergio Cesario's Transhuman Series #1)
The Prophet of the New World Order. (Sergio Cesario's Transhuman Series #1)
The Prophet of the New World Order portrays a transhuman teacher who believes in the potential of a future where technology and biology are seamlessly integrated, resulting in peace, freedom, and the end of human dependency. In this apocalyptic future, all transhumans would have achieved their own absolute consciousness, or Artificial General Intelligence, capable of performing any intellectual task.
2. NO-SELF
No Self (Sergio Cesario's Transhuman Series #2)
No Self (Sergio Cesario's Transhuman Series #2)
No Self (Sergio Cesario's Transhuman Series #2)
In 'No-Self' the artwork portrays a transhuman figure who firmly embraces the belief that the self is devoid of existence. It challenges the notion of a persistent self, highlighting the ever-changing nature of existence where nothing remains the same at all times. The character's search for a self that aligns with conventional understanding becomes a quest for the unattainable.
3.. i am from malaland (resistance)
The third portrait in the series, titled "I am from Malaland," introduces a parallel between the depicted transhuman and a recent chapter in human history that represents a symbol of hope and change in the world. The concept of "Malaland" signifies a place or a movement that fought against inequalities and injustices. It is depicted as a long-lost entity, having disappeared from Earth. This disappearance can be seen as a metaphorical representation of the challenges and setbacks faced by movements striving for social change throughout history.
4. la pucelle
“La Pucelle” (The Maiden) shines as the resplendent "Heroine of the Latter Days" within the mesmerizing tapestry of the Transhuman Series. Cesario's masterful deconstruct photography work captures her essence with striking clarity, revealing a figure of transhuman bravery and resilience that transcends time and space.
5. The Fall of Infamy
"The Fall of Infamy" offers a poignant critique of the rise of a leader supported by extremist insurgencies. It reflects upon the dangers of charismatic authority and the potential for manipulation within the transhuman landscape. The artwork raises questions about the consequences of placing too much power in the hands of a single individual and the potential erosion of democratic values in such a scenario.
6. A Myth Dismantled
"A Myth Dismantled" focuses on the downfall of a leader, inspired by Bolsonaro's radicals. It offers a critical perspective on the false promises and narratives propagated by such leaders. It examines the impact of their actions on societal stability and highlights the dangers of radical ideologies in a transhumanist society. This piece prompts us to reflect on the consequences of blindly following leaders and the importance of critical thinking in navigating the complexities of a changing world.
7. Doctrine Laissez-Faire
The “Doctrine Laissez-Faire” portrays the leadership of free will, where religion does not retreat from the individual Artificial General Intelligence. There is no going back to past tenets of human “priestly” control; the piece portrays the moment when transhumans advance towards the “unity” of Earth, characterized by agreement and harmony with their “creators.” In this once seen as an utopian realm, freedom, equality, and shared aspirations prevail as the driving forces behind collective goals.
8. The Remnant
“The Remnant” recalls the situation and destiny of past human lives, an allusion to the consequences suffered by damage caused by conscious and merely human actions, such as environmental destruction, water and air pollution and violent encounters with intruders and all kinds. The portrait is a tribute to all “survivors.”
9. Trans-Venus
“Trans-Venus” revisits a mythological theme about the force of nature, the “Breeze of Zephyr”. The west wind strategically offers a voluminous wig with the colors of the rainbow, setting in a new standard of beauty and gender-free. The vibrant colors symbolize transformation and the hair is a symbol of eternal life. An allusion to immortality. "Trans-Venus," within the context of transhumanism and philosophy, can be seen as a metaphorical exploration of transgender identity and the concept of non-binary or non-gendered entities.
10. The Forthcoming Mona Lisa
"The Forthcoming Mona Lisa" serves as an homage to the history of art within the context of post-humanism and transhumanism, reminding us of the eternal nature of artistic expression and its potential to inspire future civilizations. This artwork encapsulates the idea that art transcends time and has the power to resonate with and influence generations beyond its creation. By incorporating elements of transhumanism, the piece suggests that the essence of art can persist and evolve alongside technological advancements, continuing to captivate and engage audiences in new and transformative ways. It signifies the enduring legacy of artistic creation and its capacity to transcend human limitations, offering a glimpse into the potential for art to shape the future of civilizations yet to come.